The right piece of furniture can transform a room. Whether you opt for a unique custom creation or keep it simple with a stylish option from a mass retailer, it’s all about finding furniture that speaks to your design aesthetic.
It is 2022, yet some pieces are still relevant. Here are five curated for you following several analyses from best uk online casino.
Model: F 51 Armchair and Sofa Suite Designer: Walter Gropius Year: 1920
Walter Gropius was the founder of the Bauhaus School, and that makes him one of the grandaddies of modernist furniture. He designed the F 51 Armchair and Sofa in 1920, specifically for the director’s office at the Bauhaus – which explains its imposing design. Once you’ve stripped away the generous layers of padding, the F 51 is significant for its cantilevered frame, meaning the armrests float above the cushions and the bottom of the sofa doesn’t touch the ground. This offsets its weighty form, making this massive object appear to be levitating. The technique would go on to influence the cantilevered chair designs of Mies van der Rohe, whose work ultimately defined much of the furniture of today.
Model: Model B3 Chair Designer: Marcel Breuer Year: 1925
The B3 is commonly known as the Wassily Chair, after designer Marcel Brueur made a duplicate of the original for famed artist Wassily Kandinsky. This 1925 piece was a eureka moment in material use for furniture design. Brueur was a tutor at the Bauhaus – and frequently rode a bicycle there. He realized that if tubular steel could be bent and used for bike handlebars, it could also be used to create furniture. He then set about molding the elegant outline of the B3. The result is a frame that’s like the ghost of an over-stuffed gentlemens’ club chair – just the skeleton, without all the unnecessary padding. And yet, every bit as comfortable. Its revolutionary use of tubular steel would go on to change the face of furniture design forever.
Model: Bauhaus Nesting Side Tables Designer: Josef Albers Year: 1926
When we think of Bauhaus or modernist furniture, it’s easy to characterize it as all steel, glass and neutral colours. However, some Bauhaus designers created furniture that acted as 3D representations of their work with paint and canvas. Josef Albers was one such artist. His two-dimensional artworks Homage[s] to the Square dealt with color and geometry, while these 1926-7 nesting tables quite literally added another dimension to those works. Each was crafted from acrylic-layered glass and solid oak, and used the three key Bauhaus colours: red, yellow, and blue. Designed to work “independently and interdependently” of each other, they’re a living, functional embodiment of experimentation with geometry and form. It is being used by many users of best real money online casinos Canada.
Model: LC4 Chaise Longue Designer: Le Corbusier, Pierre Jeannerret, Charlotte Perriand Year: 1928
Le Corbusier called the LC4 chaise longue a “relaxing machine.” It’s built around the idea that, with the user always at the center of modernist design principles, both form and function could be placed specifically at the service of ergonomics. In other words, both the LC4’s geometry and its materials were designed with one thing in mind: ultimate comfort. After its exhibition at the three designers’ Le Equipment d’une Habitation stand at the Paris Autumn Salon in 1929, the LC4 went on to become one of the most well-known and most desirable pieces of 20th century furniture around.
Model: Barcelona Chair Designer: Mies van der Rohe Year: 1929
Mies van der Rohe was a modernist colossus, dominating the worlds of both architecture and furniture design. The Barcelona Chair is perhaps his most iconic furniture piece. Its design is inspired by the “X” shapes of Egyptian folding chairs and Roman folding stools, and was intended to elevate these humble designs into a throne worthy of royalty (it was intended for the Spanish royal family to rest their weary legs at the 1929 Barcelona Exposition). In 1930, Mies was named head of the Bauhaus, just before it was shut by the Nazis. It wasn’t until 1950 that he revisited the Barcelona Chair design, using updated techniques to create its cantilevered frame from a single piece of steel. This refined version was picked up by the Knoll furniture company and produced across the world. It’s still one of the most well-known chair designs on the planet.
